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  • FLESH BLOOD: SEX AND VIOLENCE IN RECENT FRENCH CINEMA - Artforum
    Images and subjects once the provenance of splatter films, exploitation flicks, and porn—gang rapes, bashings and slashings and blindings, hard-ons and vulvas, cannibalism, sadomasochism and incest, fucking and fisting, sluices of cum and gore—proliferate in the high-art environs of a national cinema whose provocations have historically
  • FULLY LOADED: POWER AND SEXUAL VIOLENCE - Artforum
    Rape, broadly speaking, must still figure in antirape culture, so let it be represented in gratifying new ways Let rape be rape as well as, at last, an honest metaphor Rape should be a trope, an art-historical subject belonging to the people fallen men have traditionally fucked over
  • SERIOUS SEX BATTLE - Artforum
    The realist version of sex-as-rape comes to us in Andrea Dworkin’s Pornography: Men Possessing Women (1981) Dworkin’s sexual veganism finds validation in some photographs, in Hustler, of a woman naked and captive and stunned as a deer, trophied for the benefit of men described in the accompanying text as “hunters ”
  • Christine Wang - artforum. com
    Wang openly admits to loving rape porn in a painting bluntly titled Rape Porn, while observing the atrocities of violence against women and its societal foundations in the aforementioned statement
  • Bruce LaBruce shares his Top Ten - Artforum
    Among the many memorable characters in Nathan Fielder and Benny Safdie’s satirical black-comedy cringe-porn series The Curse (2023–24), Native American artist Nizhonniya Luxi Austin, in her acting debut as Cara Durand, is a standout She essentially plays a version of herself (in real life, she’s an abstract painter and musician from Juneau, Alaska, of the Tlingit and Diné tribes, who
  • SEX WITH STRANGERS: LUTZ BACHER - Artforum
    In Sex with Strangers, 1986, Bacher exhibits a series of photographic images with accompanying texts, lifted from ’70s porn narratives thinly disguised as sociological texts The black and white images of “rape” and fellatio are disturbing and eerie Yet their effect is made all the odder by the captions, which, in their lurid accounts of female nymphomania and wayward hitchhikers, veer
  • Andres Serrano - Artforum
    The show isn’t encyclopedic in any sense; there’s no hetero penetration, no lesbians, no rape, no feces, no pedophilia, no cum shot Still, there’s plenty to marvel at—lots of finely detailed primary and secondary sexual characteristics, a bound geisha, a hot octogenarian, and one woman whose hand is shoved up a guy’s ass as if he
  • Barbara DeGenevieve’s provocative photography and film at SAIC
    Jeremy Lybarger on Barbara DeGenevieve’s polarizing photography, film, and pedagogy about sex, race, and class at SAIC
  • WHEN IN VIDEODROME: TRAVELS IN THE NEW FLESH
    And as pop usurped pornography’s terrain of sadism, porn itself turned into a mainstream subculture, complete with stars, fan clubs, and sales charts Sade was aghast Brutal deviations cut into the profit margin, so rape and incest, whips and chains, were replaced by the Good Housekeeping paradigm of “Nonviolent viewing material ”
  • Peak Peaks - Artforum
    I have already expressed my total disdain for rape —let alone rape by a partner, lover, friend, or acquaintance, a crime about as rare as petty theft—as a plot device granting a male protagonist power over the rest of a victim’s life and I refuse to say more about it as a reason for a girl to go mad





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