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  • Marey and Chronophotography - Artforum
    Chronophotography was in different degrees inadequate for measuring such phenomena as variable pressures, force, temperature, changes of electric “tension ” But that method, utilized in conjunction with other, mechanical, ones and as a check on them, enhanced scientific investigation in several fields to a considerable degree
  • “FOR SOME TIME NOW, IN ORDER TO WRITE THIS WRETCHED . . . - Artforum
    Granted, one still finds morbid fantasies in science fiction films And one can imagine the Japanese inventing a new type of doll, inflatable, expensive, with real hair and silk skin, eyes that shine with a dull light, and nipples that project (discreetly) as far as a preset program allows
  • Aaron Scharf – Artforum
    DOGE, National Gallery of Art Representatives Meet to Discuss Museum’s Legal Status
  • Shigeko Kubota - Artforum
    After studying sculpture at the Tokyo University of Education, Shigeko Kubota (1937–2015) relocated to New York in 1964 and quickly established herself within the city’s Fluxus community as a facilitator…
  • Andreas Duscha - Artforum
    wir lassen alle Uhren zerschlagen” (We Have Smashed All Clocks), 2015, “Cry me a river,” 2015, and “Deadline,” 2017, he registered duration through extended exposures, using chronophotography or a camera obscura to capture a prolonged period, rather than a single moment The recent series “Ghostcard,” 2023, creates an oddly
  • Mark Lammert - Artforum
    Nach Étienne-Jules Marey (After Étienne-Jules Marey), 2005–2008, is an ode to one of the fathers of chronophotography; the six-part work explicitly investigates the problem of how to express physical movement in a painting The theme also crops up elsewhere in the show, but in a more subdued and implicit manner
  • September 1976 - artforum. com
    Marey and Chronophotography By Aaron Scharf Gaspard-Félix Tournachon, called Nadar,
  • Mathieu Cherkit
    Mathieu Cherkit’s interiors are homey, relatable, and destabilizing Characterized by charming disarray—unwashed dishes, scattered toys, yellow rubber gloves near an open toilet bowl—the artist’s latest room-by-room portraits of his home explore domesticity vis-à-vis elastic notions of space and time
  • “SlideShow” - Artforum
    Organized by the Baltimore Museum of Art’s Darsie Alexander, the show may still raise eyebrows for its unapologetic positing of slide projection as a medium with its own historical set of technological supports (arising from modes of projection beginning with magic lanterns in the seventeenth century) and procedural conventions (the
  • TRAVEL AGENTS: ALAIN RESNAIS’S JE T’AIME, JE T’AIME . . . - Artforum
    Cinema became possible after the spatialization of time was achieved in certain technical experiments—the chronophotography of Étienne-Jules Marey, the zoopraxography of Eadweard Muybridge—and the arrival of the flexible film roll, which allowed for both the recording and the projection of successive frames that reproduced photographs in





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