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  • Alexa XT SXT Sensor Size Confusion - ARRI - Cinematography. com
    I'm doing a little format research and comparing film to digital sensors I'm struggling to match things up with the Alexa XT SXT sensor According to Arri (alexa sensors) The camera's custom developed CMOS Bayer sensor has the same height and width as a 35mm film frame This has a number of adv
  • Arriflex cameras - ARRI - Cinematography. com
    I've always wanted a real film camera or two Information about older cameras is hard to find but after digging a bit, it looks like a couple good ones in my budget are the Arriflex 35 BL3 and the Arriflex 35 III Wikipedia doesn't mention anything except by saying that the II series was supersed
  • Thoughts on Alexa Mini With S16-HD Crop - cinematography. com
    All Activity Home Forums Cinematography Forums Cameras Systems and Formats ARRI Thoughts on Alexa Mini With S16-HD Crop + 16mm Lenses for S16mm look?
  • Century Precision Optics Nikon F lens to Arri PL mount 1. 4x extender . . .
    Century Precision Optics Arri Nikon 1 4x Extender One of the nicest cleanest expanders I have ever used Compatible with every Nikon Ai or Ais lens I've tested it with, including third party manufacturers like Tokina The adapter has a very shallow rear element meaning it can be used on all digital and film cameras with an Arri PL mount
  • ARRI Alexa 35 - Cinematography News - Cinematography. com
    ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant image quality enhancements and a faster, easier workflow REVEAL Color Science is a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing
  • Can anyone point to whether Arri is actually struggling financially . . .
    Arri for better or worse, has forced the other brands into territories nobody expected them to be in and Arri themselves, haven't dramatically innovated Sure the Alexa 35 is a stellar camera, with wonderful color science and an imager which has fantastic dynamic range, but so is the Venice II and Burano So is the Red V-Raptor
  • dilemma!! arri 16 st or bolex h16 rex5. . give me an advice!
    The Arri has a registration pin for a much steadier picture It employs a rotating mirror instead of the reflex system on the Bolex which uses a beam splitter that sends a certain portion of the light entering the camera to the viewfinder, robbing that light from your exposure
  • FOR SALE: Arri SR2 - SUPER 16 PL + HD Video Tap
    FOR SALE: FULL ARRIFLEX SR2 Super 16 KIT - Ready to film The camera is in excellent condition, with a clean gate, mirror, and magazines, all ready for shooting It was serviced and upgraded in 2023 by Georg Bogner, as one of his final conversions before retirement Georg also upgraded all three
  • Arriflex 16S, S B, M, M B, BL Pricing - ARRI - Cinematography. com
    But an Arri 16S uses a slightly smaller registration pin that doesn’t fully fill the perf height, so it makes sense to have it minutely advance the film each time it enters, as Tim describes, essentially using the lower surface of the perf for registration Noise wasn’t an issue for these cameras
  • Arri Standard to PL mount recommendation - Cinematography. com
    Seeking feedback before I buy an Arri standard lens mount to PL camera mount What do you recommend and more importantly what would you warn against? The price range is huge between a cheap, made in China, stainless steel (link below) to a very expensive Duclos version Eager to hear your thought





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