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  • Masaccio - Wikipedia
    The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little delicate Tom")
  • Masaccio | Holy Trinity, Tribute Money, Paintings, Expulsion of Adam . . .
    Masaccio was an important Florentine painter of the Early Renaissance whose frescoes in the Brancacci Chapel, Florence, remained influential throughout the Renaissance In the span of only six years, Masaccio helped create many of the major conceptual and stylistic foundations of Western painting
  • Masaccio Paintings, Bio, Ideas | TheArtStory
    Masaccio was the first great painter of the Quattrocento period of the Renaissance recreating lifelike figures with a convincing sense of three-dimensionality
  • Smarthistory – Masaccio, Holy Trinity
    Masaccio was the first painter in the Renaissance to incorporate Brunelleschi’s discovery, linear perspective, in his art He did this in his fresco, the Holy Trinity, in Santa Maria Novella, in Florence
  • Masaccio - 31 artworks - painting - WikiArt. org
    Masaccio (Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance
  • Masaccio the work of a Renaissance Master
    Tommaso di ser Giovanni di Simone Cassai, also known as Masaccio, was another great Florentine artist who emerged at the beginning of the fifteenth century He was born on 21st December 1401 in Castel San Giovanni near Florence and lived with his younger brother and his widowed mother
  • Holy Trinity (Masaccio) - Wikipedia
    The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence
  • Masaccio - First Italian Master of the Quattrocento
    Italian painter Tommaso Masaccio was ready to take full advantage of the nobility’s enormous funding of the arts during the Early Renaissance, who were eager to flaunt their money and rank by commissioning friezes and altarpieces for their private chapels
  • Masaccio (1401 - 1428 9?) | National Gallery, London
    Masaccio was the most revolutionary painter of the Early Renaissance The Virgin and Child in the National Gallery is the central fragment of one of his most important works, a polyptych made at the age of 25 for the church of the Carmine in Pisa
  • Masaccio - Renaissance, Frescoes, Brancacci Chapel | Britannica
    Shortly after completing the Pisa Altarpiece, Masaccio began working on what was to be his masterpiece and what was to inspire future generations of artists: the frescoes of the Brancacci Chapel (c 1423–27) in the Florentine Church of Santa Maria del Carmine





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